05 | Grass in Concrete

Made in Sg
Typesetting

In the past week, we’ve seen the release of this year’s best 50 restaurants in Asia. Much can be said about that. The Straits Times ran a half-page critique on the dubiety of certain rankings, but as usual, everything should be taken with a pinch of salt… because sodium acetate reduced the bitterness of urea more effectively than sucrose. Molecular gastronomy stuff, which has tickled the minds of chefs and gastronomes alike. But the fad in the food scene has petered out, perhaps giving way to a more mature understanding of modernist cuisine. Yet another, more down-to-earth (literally), theme is on the rise – sourcing for local produce and putting them into dishes served.

I have always felt a sense of pity living in Singapore. On this sunny tropical island, there isn’t much that grows as quickly as condominiums and the population of foreign labour. While I was on a farm-stay in Nagano, Japan for two-weeks, the idea of planting corn, basil and blueberries was just as foreign as it was intriguing. It doesn’t mean that Singaporeans don’t get the idea of ‘you reap what you sow’. Everyone knows when we plant our heads in books, we get stars and scholarships. Not a concept too difficult to grasp.

Yet, it is more than heartening that it isn’t all about stars and scholarships for many young people these days. Last weekend, a handful of craftspeople put up a collaborative exhibit to showcase what exactly can be Made In Singapore. Bespoke leather goods, home-made jams, hand-carved rubber stamps, earthy ceramics, and of course… locally-roasted coffee.

The Gentlemen’s Press was most intriguing, for I’ve always had a thing for letterpress. There wasn’t a full range of type sets or a full-size typesetting frame, but that little red letterpress machine pictured below was in itself a fascinating contraption. Like a typical Singaporean, I joined the queue and had my hands on the press to make myself a “Made in SG” card.

It was all good fun, and coffee. But craftsmanship isn’t just about fun – especially in Singapore. It demands a deal of devotion, a spirit of ‘making’, and an undaunted belief that even the greenest grass can grow anywhere in the barest concrete jungle.

Letterpress Machine
Letterpress Machine

http://www.makersofsingapore.com/market/

#10 Grim

The past week has been rather ‘mortifying.’ It started off with the Boston bombing, followed by the Texas explosion. Earthquakes terrorized Iran, then Sichuan, China. The threat of H7N9 lingers on, as well as the ricin letters. It was an easy week to give up faith for the future.

I am not trying to downplay the sufferings of all these victims, but it is usually the bad news that are reported, and the good news shrugged off. In part due to my current employment status (waiting for school), I have followed the news quite habitually. I would have my breakfast over the morning news – only to have my appetite dampened.

It is grim, but I’ll have to start with this upsetting article. The dark side of Dubai. This came from way back, but it recently re-surfaced on my facebook feed. It reminded me to think beyond what can be seen, sometimes to see the ugly truths.

On a lighter note about news, this graphic artist, LOGHIFICIO, renders intriguing illustrations from headlines.

A Sad Tale Of A Missing Stormtrooper.

Another photo series, somewhat bittersweet. In a few elaborate photos, Matej Peljhan sketched an Imaginary Adventure of Luka, a boy who suffers from muscular dystrophy.

In ending, a flip-through of a collection of photographs by Petri Artturi Asikainen. He photographed one man and one woman from age 0 to 100. There is such a long journey ahead.

100 YEARS IN TOKYO, flip through from Petri Artturi Asikainen on Vimeo.